Boulder to Birmingham: A Tribute to Emmylou Harris and Gram Parsons

This is a slideshow I did about a week ago, and have been kind of wondering what to do with as it has a kind of romanticism I don’t really think is characteristic of me. However, it also focuses on loss, grief, and moving past these emotions so that part certainly fits. I’ve liked Emmylou Harris ever since I saw her open for Joe Walsh back in the seventies at the Shrine auditorium. As it was basically a rock crowd there to hear “Rocky Mountain Way” and “Walk Away” (as was I), some people in the audience were rather rude to her, but she kept going like the true professional (and very classy lady) she was and is. After what she had been through, I doubt a few boos and some heckling even registered.

While I am by no means an expert on all things Emmylou Harris (I actually tend to avoid gossip columns or even celebrity biographies of artists while they are still alive–it can be disillusioning and for me–frankly–it’s always been the work that is important), it is widely acknowledged that this is a song about her reaction to the death of her former lover and mentor, Gram Parsons, who died of a morphine overdose in 1973, a few weeks before his twenty-seventh birthday.  He had already been a member of The Byrds, a founding member of highly influential (but never very commercially successful) The Flying Burrito Brothers, and had formed his own backup band who toured as Gram Parsons and the Fallen Angels. It was with this last group, that his connection with Emmylou really developed, as she was a backup singer and sometime soloist with the band. They also apparently had a fairly intense romantic relationship, although I believe they had separated (I think at least in part over Gram’s drug use) by the time he died. Emmylou–in a way I deeply admire–turned her loss, grief, and ultimate belief in herself into this beautiful song (she actually is not a very prolific songwriter, but the ones she does write are almost always worth listening to), which has been covered by many other artists. The audio here by the way, is actually from the Starland Vocal Band, whose lead singer (Taffy Nivert) does a remarkable job of channeling Emmylou’s voice and spirit. While I like the version on her Pieces of the Sky debut album, I don’t think Warner Brothers really figured out how to capture the fullness and richness of her voice in the studio until her third album, Luxury Liner, which I believe was the first one I bought, and I think produced her first big mainstream success with her version of “Pancho and Lefty.” I seem to remember she even performed for Jimmy Carter at the White House. Of course, I then went out and bought her two earlier albums.  By the way, this is not an attempt to do a biography of their relationship, but more a kind of elegiac audio-visual poem inspired by the song that acknowledges the importance of their relationship to the song’s composition (I really love that quote in the penulimate photo–it’s quintessential Emmylou). Hope you like it.

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  1. Pingback: Jim Dean of Indiana: A Slideshow inspired and accompanied by Phil Ochs' song — passage2truth

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