Atlantis/1983: A Slideshow Inspired by Donovan and Jimi Hendrix

Atlantis/1983: A Slideshow Inspired by Donovan and Jimi Hendrix

This is kind of an extended sequel to my “Epistle to Dippy” diary and slideshow, and you’ll notice a few of the same photos (most obviously those of the Maharishi, Donovan, and The Beatles, but also of Donovan and Hendrix). My original thought was to make a slideshow that at least aspired to be a kind of pure aesthetic experience, a series of beautiful images set to Donovan’s incredibly catchy chorus and Hendrix’s brilliant guitar riffs, all framed by a rather vague Atlantis narrative (which I have never the taken that seriously, except as a kind of fable in Plato’s Timaeus). I think it ended up being rather more than that–almost the audio-visual equivalent of a metaphysical poem, although there are some fairly clear themes (the trascendence of art, the desire for escape from the horrors of the world, and of course transformation) running through it. The very conscious way it interweaves what we might call the oceanic and the cosmic is my attempt (I hope partly successful) to bring some very disparate things in relation to one another and at least point towards (although not really explain) some kind of ultimate meaning (I’m sort of playing with Boethian and neoPlatonic ideas, but not in any kind of rigorous way). However, if you just want to appreciate it as a kind of trippy music video, that’s okay too, and that really was pretty close to my original intention anyway.

The Donovan audio track is from what must be the introduction to The Smothers Brothers Comedy Hour. The track cuts out rather abruptly because a voice over comes in telling you who is going to be on the show that night (if you listen carefully, you can just hear the announcer say the beginning of Mort Sahl’s name, who obviously got top billing that night). Frankly, I like this version better than the original single, which I always thought was a bit overproduced. I find the simplicity and clarity of this version remarkably moving. I’m not sure if I have a good reason for using The Allman Brothers version of “1983,” other than that I really liked it (what it lacks in smoothness, it makes up for with a kind of crunchy power), and that I was a little leery of getting involved in the kind of copyright problems that have long plagued the legally entangled Hendrix estate (they may have been resolved now, I didn’t really continue pursuing it after stumbling upon The Allman’s version). A few people (not that I expect that many to see it), will notice I’m trying some new things here: Formal titles at the beginning and end, with introductory and concluding sound effects, and even scrolling credits, as well as two video excerpts, one oceanic and one cosmic (the first from an Oceanic Preservation Society video, the second from Yavar Abbas’s Journey to the Edge of the Universe [2007]).

Epistle to Dippy: A Slideshow inspired by (and sort of about) Donovan

Epistle to Dippy: A Slideshow inspired by (and sort of about) Donovan

I was just rewatching the Sunshine Superman DVD about Donvan’s life last weekend, and found it fascinating–among the many things I had forgotten about him was all the time he spent with the Beatles in India, becoming part of the group that surrounded Maharishi Mahesh Yogi. I had been wanting to make a slideshow about “Epistle to Dippy,” a song I really liked when I was about ten (I may not have been too sure what an epistle was, but I knew I liked the song), but couldn’t quite decide what approach to take to this rather oblique song. Suddenly the young monk meditating amid misty mountains made perfect sense, and I basically treated the “you” the song addresses as in fact Donovan himself as he is introduced to these new, “all kinds of windows,” perspectives on life. I have read, by the way, that the song was actually written to a friend who had joined the military. That may well be true (although its certainly isn’t obvious), the interpretation I offer here (which is really is intended to be evocative rather than prescriptive), I don’t pretend to any genuine knowledge of what Donovan really “meant” by the song. It’s still a great song, whatever you think of therse video, although of course I hope you enjoy both.

Quick note: this is actually an alternative take I found on YouTube rather than the single version. Although done in a much more baroque style than the hit single, it has a wonderful swirling energy that I like as much as the more popular version.

Hurdy Gurdy Man: A Slideshow Inspired by a Donovan song

Hurdy Gurdy Man: A Slideshow Inspired by a Donovan song

This was an attempt to do a fairly straightforward fan video. While the expectation for a “hurdy gurdy man” to resolve the “crying of humanity” is probably naieve, it certainly is attractive. I also loved all the antique photos of street musicians I ran across, as well as some nice ones of Donovan. Hope you enjoy it.