Today is the fifty-second anniversary of Phil Ochs’ death, and I thought I would repost this, which I have previously posted on the “50 Phil Ochs Fans Can’t Be Wrong” Facebook Group. This slideshow is more or less a capsule biography of Phil’s life, set to live recording (I think from Montreal) of him singing “Cross My Heart,” a song that encapsulates the contradictions in Phil’s life, contradictions that ultimately led him to take his own life, contradictions that ultimately reflect those that the America still faces. This is in some sense a calling card for a larger project, essentially a two man stage show designed for a small theater, in which one actor (who would need to be a talented high tenor as well as a better than competent guitar player) would play Phil, and the other would the playing various people in his life, starting with his college roommate Jim Glover, a brief appearance as Bob Dylan, Phil’s second manager Arthur Gorson, Phil’s third manager (and brother) Michael Ochs, and Yippee Jerry Rubin. In the second half he would need to be an FBI agent, a prosecutor, Phil’s friend Andy Wickham, and Phil’s protege Sammy Walker. About half would be Phil’s songs, and about half would be dialogue drawn from Phil published and unpublished writers and papers, biographies about him, and his FBI file. I realized from the start that there will be many legal hurdles and permissions to secure, but I have bought theatrical performance rights for a single production run to Marc Eliot’s Death of a Rebel: A Biography of Phil Ochs, which the script draws heavily upon and am currently negotiating for performance rights to about fourteen songs. I hope to be talking to a potential director this week, and at least least get some hints about the audition process as I will need two strong actors, one of whom will also have to be a gifted singer and guitar player, and the other comfortable with quick changes of fairly varied characters. I realize that I will lose money on the project, which I am trying to keep small scale (only about ten performances in a very small theater, probably in North Hollywood or Pasadena). Nevertheless, it feels like something I need to at least try to do, simply because Phil’s songs and story touched me so deeply (I did see him once, but I will save story that for another post).
Anyway, the real reason for this post is the video below, which I compiled last June, when I first conceived of this play project, drawing on internet photographs and a few which I scanned from Eliot’s and Schumacher‘s biographies of him. It seems an appropriate memorial on this aniversary of his passing.