This one is pretty self-explanatory (it originally appeared on my Unofficial Joe Walsh Cat Video page). It’s just one of those costs that comes from being a cat guardian, and it still seems like we humans are getting the better deal. The song is from Joe Walsh’s Analog Man album. Hope you enjoy. (and make sure your kitties know you are thankful for them this week).
While on the subject of adorable creatures who sometimes drive us crazy, here’s a charming song by The Wainwright Sisters (Martha and Lucy Wainwright Roche) that appears on their Watching the Dark album (the song was originally composed by Rosalie Sorrels). “Baby Rocking Medley” (aka “Hostile Baby Rocking Medley” and “Hostile Baby Rocking Song) is great fun, but you probably shouldn’t take it too seriously. Let’s face it, the original lullaby has some rather dark undertones (what’s that baby doing up in the tree anyway?) Hope you enjoy it.
The idea for this slideshow dates back to Catcon near the begining of August. While there, in addition to getting my picture taken with Pudge, and taking lots of photos of cat stuff, I also went to a couple of talks. One of them, by Paul Koudounaris on “Cats of L.A.” included a good deal of information about Pepper the Cat, the first feline movie star who made over a 100 films (mostly shorts) for Mack Sennett studios in the teens and early twenties. She apparently appeared with some of the major stars of the day, including Charlie Chaplin, Ben Turpin, and Mabel Normand, but many of the her early shorts have been lost. As near as I can tell, only a couple are available: The Little Hero, available in a Dutch version on YouTube, and Down on the Farm, a short film (43 minutes) from 1920 that is include on Volume 1 of the Mack SennetI Collection, available on Blue-Ray. I believe a couple more of her films are going to be on Volume 2 which, with a bit of added research, I hope will give me enough material for another short film about her, which I will probably again set to a Joe Walsh song. She was apparently discovered when she crawled out from under the floorboards during filming and the director–who perhaps knew star quality when he saw it–ordered them to keep rolling. Pepper had her screen test, and rest is (little known) cinema history. Although this slideshow has a couple of laughs (they are Mack Sennett comedies, after all), its main purpose is informational. However, the unbelievable guitar work by Joe and his band keep things popping (Funk #49 is from the Guitar Center Sessions; Funk #50 is from Analog Man).