“Wine with Dinner,” as the title implies, is a drinking song. Back when I first heard it about 1976, it strucks me as a pro-drinking song, a defiant love letter to grain alcohol in the face physical, social, and psychological bad consequences. I suspect I saw it that way, because that is the way I wanted to see it, I wanted to believe drinking-to-excess was simply a heroically masculine way of thumbing your nose at death, while counting on that old saw about God loving drunks and fools to keep me safe (I’m sure I figured I was a Daily Double). How you interpreted the song really depended on whether you focused on the verses (which catalogue the negative consequences of alcohol abuse) or on the chorus (which focuses on how drunks are often quite lucky). While the alcoholic speaker is fairly obviously kidding himself, his arguments are pretty convincing if you’re kidding yourself too. Although it isn’t included as part of this slideshow, Loudon’s T-Shirt album, where the song first appeared, also includes a reprise of the song at the album’s conclusion that includes an additional verse that rejects other forms of pharmacological abuse in favor John Barleycorn and his relatives, so the let’s-just-keep-on-partying message does get a bit more emphasis in the original context (it was the seventies, after all). I now see the song as more darkly satirical than celebratory, and that darkness is by and large refected in this slideshow (I don’t claim my interpretation is any way definitive, please make your own, if you so desire).
Month: December 2017
Rufus Wainwright’s “Natasha”: An Unofficial Slideshow
I had the idea for this one while flying back from Minneapolis. I had always liked the song “Natasha”; it just had a lovely simplicity, and the implied theme, about the difficulty of opening yourself up to intimacy, of making yourself vulnerable to another person, was certainly one to which I could relate. In some ways, it also seems to be about beauty, which is underscored by the haunting melody. Although ballet is never referred to in the song, it just seemed to fit both the song’s almost awestruck appreciation of beauty, while at the same time constituting a kind of beautiful gift for the song’s subject (and recipient). In some ways, this is similar to the slideshow/video I did for “Hallelujah” in that it combines live performance (from Live at the Fillmore), with slides and film clips. I also used several overlays, and I think they worked very well this time, almost magically falling into place. In any event, It is as if Rufus has given us a gift, and I’ve taken it and dressed it up, trying to highlight some of its beauties, even to in a small way visualize them. I hope you like it.
“In the Bleak Midwinter”: An Unofficial Slideshow
It may be that after “I’ll Be Killing You This Christmas,” I was feeling the need to balance out my Christmas karma, but mostly I was just poking around YouTube listening to various Rufus Wainwright tracks and I ran into this, which is actually from Renee Fleming’s 2014 album, Christmas in New York. The album is basically composed of duets between Renee and another artist, and “In the Bleak Midwinter” is the one song she does with Rufus. It’s also a lovely poem which I distantly remember from my school days, composed by Christina Rossetti of Goblin Market fame. The sad and slightly stern woman who appears twice in the slideshow is Christina (she’s the speaker, and I use those stills of her when she talks about “I”). While I’m not quite sure, I think the heart shaped key fob that appears near the end of the slideshow may actually be Ms. Rossetti’s. The music is by Gustav Holst, who some will remember as the composer of The Planets. I was trying to achieve a sombre but reverent mood, in keeping with the tone of the song, and I hope I have come close to achieving it, but obviously the final arbiter wil always be the audience.