“Wine with Dinner,” as the title implies, is a drinking song. Back when I first heard it about 1976, it strucks me as a pro-drinking song, a defiant love letter to grain alcohol in the face physical, social, and psychological bad consequences. I suspect I saw it that way, because that is the way I wanted to see it, I wanted to believe drinking-to-excess was simply a heroically masculine way of thumbing your nose at death, while counting on that old saw about God loving drunks and fools to keep me safe (I’m sure I figured I was a Daily Double). How you interpreted the song really depended on whether you focused on the verses (which catalogue the negative consequences of alcohol abuse) or on the chorus (which focuses on how drunks are often quite lucky). While the alcoholic speaker is fairly obviously kidding himself, his arguments are pretty convincing if you’re kidding yourself too. Although it isn’t included as part of this slideshow, Loudon’s T-Shirt album, where the song first appeared, also includes a reprise of the song at the album’s conclusion that includes an additional verse that rejects other forms of pharmacological abuse in favor John Barleycorn and his relatives, so the let’s-just-keep-on-partying message does get a bit more emphasis in the original context (it was the seventies, after all). I now see the song as more darkly satirical than celebratory, and that darkness is by and large refected in this slideshow (I don’t claim my interpretation is any way definitive, please make your own, if you so desire).
Loudon has long had an affinity for holiday songs that take slightly unusual perspectives. Family dinners (“Tnanksgiving“), the 1st day of April (“April Fools Day Morn“), and of course throwing out the old christmas tree at year’s end (“Suddenly It’s Christmas“), I was seriously considering the latter song as a possible topic for a slideshow when I ran into this one, again (like “Brand New Dance“) from Loudon’s 2014 studio album, Haven’t Got the Blues (Yet). It takes a rather different approach to the holiday, and is in fact the darkest Christmas song I can think of off hand (I suppose “Granda Got Run Over By a Reindeer” might be sort of in the same ballpark). Rather unusually for Loudon, it seems to come close to taking a stand on a controversial social issue, albeit an ironic stand. Apparently, at least in the U.S., Christmas day is among the most violent of the year, although less so than New Year’s (the safest day, strangely, is January 5th, presumably everybody is either too pooped from assaulting people on New Year’s, or just too hung over to commit any more crimes). The murders directly referenced in the slideshow are the Lawson Family murders (Germantown, North Carolina, 1929), the Covina Massacre (2009), and, with the stills at the end largely being of people who had the misfortune to be murdered around Christmas (including JonBenet Ramsey, who actually did not die from a gunshot). A number are from holdiay themed horror films (the Covina Massacre, which included a murderer in a Santa Suit and a home-made flame thrower, was for instance is referenced in the 2012 film, Silent Night, where a number of the stills come from). Most of the other photos are from advertisements or Christmas cards people have posted on the web, and are probably in no way intended the be ironic. While I admit to a certain curiousity about what comments I’ll get (if any), it’s a curiousity tempered by sadness in that I have pretty good idea about what a number of them will probably be. But hey, it wouldn’t be a family holiday without a few death threats.
Cross-posted at my Unoffical: Loudon Wainwright III fan page. This is fairly dark song and slideshow, although leavened by a good deal of humor and a blast of rock and roll energy Although Loudon has written rock songs before (“At Both Ends,” “Watch Me Rock, I’m Over Thirty”), they don’t tend to be his signature songs. This rockabilly number is from Loudon’s 2014 album, Haven’t Got the Blues (Yet). It works remarkably well, and fuses nicely with Loudon’s tongue-in-cheek celebration of the “joys” of aging. Hope you enjoy the slideshow, although–like the song–it does raise some serious points.
Previously posted on my Unofficial Loudon Wainwright III FB page.
‘ve liked the “Man Who Couldn’t Cry” since I first heard it on Loudon”s Attempted Mustache album. I still have a fairly clear memory of him performing it at the Roxy in Los Angeles on the T-Shirt album tour. At one time, I knew how to play it on guitar and could even sing all the verses, which was an exceptional achievement for me at the time (I could play or sing, but not both at once). This is actually the version from Loudon’s 2008 Recovery album, which I recently purchased. I must say, I usually prefer Loudon’s live versions of songs, but I was deeply impressed by this, which really gains something from the drums and orchestration. I’m still not wholly sure what the song is about, exactly, but it seems to have something to do with karmic justice. I did go for a few cheap jokes, but by and large I think it remains true to spirit of the song, except perhaps the end where I find what may well be an unjustified optimism (perhaps playing with the idea of “Recovery”). It was just to bleak to leave humanity and its home in the song’s last line.
This has been a rather humbling few days, although in sort of a good way. One of the benefits of making a fan page like my Unofficial: Loudon Wainwright III on Facebook is that you find out stuff you would not have otherwise known about through people’s comments. Thus, about three days ago I discovered Loudon had a book out (Liner Notes: On Parents & Children, Exes & Excess, Death & Decay, & a Few of My Other Favorite Things). I bought it and downloaded it on my Kindle app. The first chapter (all I have read) is very engaging, almost brutally honest, and rather funny (that’s kind of how Loudon works). Then event sounds like a conversation/book signing with maybe a couple of songs (I hope) at the Largo on Cahuenga. The admission comes with a copy of the book, so it looks like I’ll have a hard copy too, which presumably I can get signed. If I’m really lucky (I’m planning to bring a camera), I can get my photograph taken with Loudon, which will promptly replace the one I currently have with Rufus on my Unofficial Loudon Wainwright III facebook page (it will stay up, of course, on my Rufus page). While I’m not totally sure I’ll be able to go, he is also performing what I assume will be a largely musical set at McCabe’s guitar shop in Santa Monica on Saturday night (it’s sold out, so if anyone has a ticket they are willing to sell, message me). Sheesh, talk about an embarrassment of riches.
All of that has nothing really to do with the following slideshow, although if I stretch I suppose I could say it is another live version of one of Loudon’s songs, and I’ll be seeing him live so that’s a connection, I guess. I must admit, I’m rather partial to his live albums, partly because he is such an engaging performer, and I think partly because the “So Damn Happy” live album is when I got back into Loudon’s music after not really having listened to him for about two decades. Well, this is another song from “So Damn Happy” (so were “Much Better Bets” and “Men”), with the slightly off-putting title, “The S*** Song.” The whole song is really just a metaphor, of course, and I hope that the slideshow succeeds in highlighting those metaphoric implications without being too disgusting. Despite the title, it’s a very wise song and–while there is one moment he might seem to be mocking the disabled (and yes, I laugh every time I hear it), as with so many of Loudon’s songs, I think there is something much more subtle and even profound going on. WARNING: Includes profanity (if you haven’t figured that out).
This is actually a slideshow I made in response to a comment I got on my “Unofficial:Loudon Wainwright III” Facebook page. John Burns mentioned that he had just been talking about “Dead Skunk” a couple of days before. I responded that people really seemed to like the slideshows I’ve done that feature animals prominently (“Me and My Friend the Cat” has gotten almost twice as many views as my second most popular slideshow), and that I thought he had just given me an idea for my next one. This is the result. It features lots of animals–mostly dead ones (it’s basically a funny, peppy song about roadkill). The audio by the way, is from a YouTube video of Loudon performing on Rockpalast, a German TV show (I think this is from 1984). This is why the end is so abrupt (the clip just ends there), and I tried to fill it out a bit with a couple of appropriate sound effects from iMovie. I also included some of Loudon’s introduction, partly for historical interest, and partly because it allowed me to insert a little bit of political satire. I apologize if you are offended by it, although I suspect that there is not all that much overlap between passionate Loudon Wainwright III fans and passionate fans of the current administration, so I don’t expect it to be a huge problem.