Warren Zevon: Two Slideshows

Warren Zevon: Two Slideshows

Here’s one I finished at the beginning of the month. I’ve always liked the Transverse City album, in part because of its distinctly experimental vibe. Warren was trying lots of new things, and they worked a lot of the time. Where the title track and “They Moved the Moon” seemed to push musical boundaries, “Nobody’s in Love This Year” pushes lyrical ones in the way it uses financial metaphors to describe love relationships or–more accurately–their collapse. It certainly captures one of the darker and more prevalent aspects of the Reagan years–one that is still with us–but it does so with Warren’s characteristic wit, lyrical grace, and melodic beauty. Hope you like it.

A reader of my “Unofficial: Warren Zevon” fan page suggested I do this song about Warren and the RR Hall of Fame. It seemed like a good idea, and I think the slideshow turned out OK. The web address at the end is to 2017 petition on change.otg to induct Warren. This petition has apparently just been closed, as the nominating ballots for 2017 have just come out, and again Warren isn’t on it. Another indifferent year in heaven, I guess. So it goes.

Seminole Bingo: An Unofficial Warren Zevon Slideshow

Seminole Bingo: An Unofficial Warren Zevon Slideshow

Although I didn’t realize it until I was actually putting it together day before yesterday, “Seminole Bingo” is kind of a natural counterpart to my “They Moved the Moon” slideshow. If the first is about the dispossession of Native Americans, the second could well be said to be about taking some of their own back from those who dispossessed them in the first place. I always felt a little uncomfortable about the first in that I realized I was quite probably radically recontextualizing the song in making it about the California genocide of Native Americans. The song could well describe any disorienting and dislocating experience, and may well have been highly personal, even autobiographical for Warren when he wrote it. What I did with it (which was not meant to be in any way prescriptive), was simply an attempt to use the song as a way of exploring my own feelings about what happened in California, and my surprise and horror at discovering it. “Seminole Bingo” is much more obviously a story song about a character who is not Warren, although the two may share some traits in common. I realize, of course, that the song is not about Michael Milliken (who did not gamble his fortune away in Florida) but–as the widely-acknowledged “junk bond  king”–his image was the logical one to use. I do find myself if wondering if there is a something deeper going in the song, as the title character in essence made his fortune by selling essentially worthless bonds at vastly inflated prices. So much of modern culture seems to be predicated upon building up little or nothing into a “something,” a commodity that can be sold at vastly inflated prices based on a vastly inflated (mis)perceptions of its value. Of course, the same thing could be said about these slideshows, although the only cost to you is time, and–of course–there are many things of value in the world (Warren’s songs, for instance), you just have to learn to look for them. Anyway, here it is, and I hope  you think it is worth your time.